Associated Press reports:
Thompson's last column, Shotgun Golf with Bill Murray, ran last week on ESPN. It's typlically gonzo in style:
"Hunter S. Thompson, the acerbic counterculture writer who popularized a new form of fictional journalism in books like “Fear and Loathing in Las Vegas,” fatally shot himself Sunday night at his home, his son said. He was 67."
Perhaps most appropriately, Tom Wolfe should write the send-off:
"The death of professional hockey in AMERICA is a nasty omen for people with heavy investments in NHL teams. But to me, it meant little or nothing -- and that's why I called Bill Murray with an idea that would change both our lives forever.
It was 3:30 on a dark Tuesday morning when I heard the phone ring on his personal line in New Jersey. "Good thinking," I said to myself as I fired up a thin Cohiba. 'He's bound to be wide awake and crackling at this time of day, or at least I can leave a very excited message.'"
"Hunter's life, like his work, was one long barbaric yawp, to use Whitman's term, of the drug-fueled freedom from and mockery of all conventional proprieties that began in the 1960s. In that enterprise Hunter was something entirely new, something unique in our literary history. When I included an excerpt from "The Hell's Angels" in a 1973 anthology called "The New Journalism," he said he wasn't part of anybody's group. He wrote "gonzo." He was suigeneris. And that he was.
Yet he was also part of a century-old tradition in American letters, the tradition of Mark Twain, Artemus Ward and Petroleum V. Nasby, comic writers who mined the human comedy of a new chapter in the history of the West, namely, the American story, and wrote in a form that was part journalism and part personal memoir admixed with powers of wild invention, and wilder rhetoric inspired by the bizarre exuberance of a young civilization. No one categorization covers this new form unless it is Hunter Thompson's own word, gonzo. If so, in the 19th century Mark Twain was king of all the gonzo-writers. In the 20th century it was Hunter Thompson, whom I would nominate as the century's greatest comic writer in the English language."
Thompson's style was to make the writer an essential component of the story. Photo: Montana 1969, HST archives